Sabon is an old-style designed by the German-born typographer and designer (1902–1974) in the period 1964–1967. It was released jointly by the,, and type foundries in 1967. The design of the roman is based on types by ( c. 1480–1561), particularly a specimen printed by the Frankfurt printer Konrad Berner.

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Berner had married the widow of a fellow printer, the source of the face's name, who had bought some of Garamond's type after his death. The italics are based on types designed by a contemporary of Garamond's,. It is effectively a Garamond revival, though a different name was chosen as already carry this name. A classic typeface for body text, Sabon's longstanding popularity has transcended its origin as a commission to fit a tight set of business requirements.

Tschichold was commissioned by a coalition of German printers to create a typeface that could be printed identically on Linotype, Monotype or letterpress equipment, simplifying the process of planning lines and pagination when printing a book. The italic and bold styles were to take up exactly as much space as the roman, a feature imposed by the duplexing system of Linotype machines of the period. Finally, the new font was to be five per cent narrower than their existing, in order to save space and money.

Sabon's name was therefore considered appropriate: a Frenchman who had moved to Frankfurt, he had played a role in bringing Garamond's type into use in German printing four hundred years before. Contents • • • • • • • • History [ ] Sabon was developed in the early 1960s for a group of printers who sought a 'harmonized' or uniform font that would look the same whether set by hand or on a or machine. They were quite specific about the sort of font that might fit the bill, rejecting the modern and fashionable in favour of solid 16th century tradition - something modelled on the work sixteenth-century engravers. The requirement that all weights have the same width was influenced by the 'duplex' system of lead casting on the Linotype system: each Linotype-matrix can cast two different characters: roman or italic, roman or bold, which must have the same width. It also meant that the typeface then only required one set of copyfitting data (rather than three) when compositors had to estimate the length of a text prior to actual typesetting (a common practice before computer-assisted typesetting).

Another hint of the design's origins in hot-metal typesetting technology is the narrow 'f', since Linotype machines cannot cast an 'f' that, or extends beyond the letter's body. Tschichold was well known as an eminent book designer in his own right, having promoted the now-popular ragged right style of book layout. A, after the war, from 1947 to 1949, he played a hugely significant role in book design, creating a unified, simple and inexpensive layout design for, a publisher which specialised in issuing cheap paperbacks. In his early life, he had lived in and in the 1920s had devised a 'universal alphabet' for, improving its non-phonetic and promoting the replacement of the jumble of fonts with a simple. Tschichold had become more interested in classical book design as his career progressed, and Sabon is a relatively faithful, organic book typeface strongly rooted in tradition. The name 'Sabon' was proposed by, an influential British Monotype artistic advisor and historian of printing. Different drawings were used for machining the larger sizes.

Tschichold used an specimen sheet from 1592 to provide initial models to work from, choosing a Garamond face for the roman letters and a Granjon face for the italics. An early first use of Sabon was the setting of the in 1973 by the American graphic designer. All books of the were set by hand in a process called thought-unit typography, where Thompson broke the lines at their spoken syntactical breaks. Sabon was also used as the typeface in the 1979 Book of Common Prayer of the, as well as all of that church's secondary liturgical texts (such as the Book of Occasional Services and Lesser Feasts and Fasts). Sabon was used in the 2000s as the official logo typeface of until 2012. It is also used by, together with the typeface. And use a slightly modified version of it for headlines.